Marianne Vitale was born in East Rockaway, New York in 1973. She received a BFA from the School of Visual Arts, New York, New York.

Vitale’s recent solo and group exhibitions include "Human Nature" at The Journal Gallery in Los Angeles, California (2024); "Menemsha" at Galeria Doris Ghetta in Ortesia, Italy (2024); Tennis Elbow at The Journal Gallery in New York, New York (2022); "Terrena Spirituale" at Galeria Doris Ghetta in Ortesia, Italy (2022); ”Bottles and Bridges: Advances in Collective Obliteration" at the 59th International Art Exhibition of La Biennale di Venezia curated by Cecilia Alemani in Venice, Italy (2022); "The World, The Flesh and the Devil" at Couvent des Cordeliers in Savenay, France (2020); Tennis Elbow at The Journal Gallery in New York, New York (2020); "Double Vision" at the Elaine de Kooning House in East Hampton, New York (2019); “Untitled” at Karma in New York, New York (2015); “Oh Don't Ask Why” at the Contemporary Fine Arts in Berlin, Germany (2105); “No Man's Land” atThe Contemporary Arts Foundation in Miami, Florida (2015); “Six Doors” at the Foundation for Contemporary Art in New York, New York (2015); “Teeth Gnash Tennessee” at Invisible Exports in New York, New York (2015); “Something old, Something New, Something Borrowed, Something Blue” at Fondazione Sandretto Rebaudengo in Turin, Italy (2015); “Ann Craven - Marianne Vitale, Paris” at Ceysson Gallery in Paris, France (2014); “Combustion” at SAKS Gallery in Geneva, Switzerland (2014); “The Last Brucennial” in New York, New York (2014); “Too Much Satan For One Hand” at IBID PROJECTS in London, United Kingdom (2011); “How Soon Now” at the Rubell Family Collection in Miami, Florida (2010); and the “Whitney Biennial 2010” at the Whitney Museum of American Art in New York, New York (2010).

Marianne Vitale lives and works in New York, New York.