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Marcus Leslie Singleton: Soiled Tennis Elbow 101

Past exhibition
27 May – 13 June 2022 New York
  • Works
  • Text
  • Installation Views
  • Q&A
  • Works
    • Marcus Leslie Singleton Daisy, 2022 Oil on panel 60 x 48 in (152.4 x 121.9 cm)
      Marcus Leslie Singleton
      Daisy, 2022
      Oil on panel
      60 x 48 in (152.4 x 121.9 cm)
    • Marcus Leslie Singleton Old Record, 2022 Oil on panel 60 x 120 in (152.4 x 304.8 cm)
      Marcus Leslie Singleton
      Old Record, 2022
      Oil on panel
      60 x 120 in (152.4 x 304.8 cm)
    • Marcus Leslie Singleton The Spiritual Weight of America, 2022 Oil and enamel on panel 48 x 48 in (121.9 x 121.9 cm)
      Marcus Leslie Singleton
      The Spiritual Weight of America, 2022
      Oil and enamel on panel
      48 x 48 in (121.9 x 121.9 cm)
    • Marcus Leslie Singleton The Writer, 2022 Oil on panel 12 x 9 in (30.5 x 22.9 cm)
      Marcus Leslie Singleton
      The Writer, 2022
      Oil on panel
      12 x 9 in (30.5 x 22.9 cm)
    • Marcus Leslie Singleton Water Me, Too, 2022 Oil on panel 48 x 36 in (121.9 x 91.4 cm)
      Marcus Leslie Singleton
      Water Me, Too, 2022
      Oil on panel
      48 x 36 in (121.9 x 91.4 cm)
    • Marcus Leslie Singleton Heavyweight St. Louis, 2022 Oil on panel 60 x 48 in (152.4 x 121.9 cm)
      Marcus Leslie Singleton
      Heavyweight St. Louis, 2022
      Oil on panel
      60 x 48 in (152.4 x 121.9 cm)
  • Text

    Soiled

    This series of work was inspired and based on my personal archive. Referencing documents passed down to me by my grandparents, aunts and uncles. Old photos, letters, items, but predominantly and most importantly to me, their verbal storytelling. There are selected phrases from these stories embedded in the paintings like roots in the soil. These are the exchanges that develop culture—passed down generationally, through style, information, beliefs.

    Soiled attributes these personal histories which I’ve taken as my responsibility to tell and include within the larger canon of African American history: through Black traditional art making as a way of survival, taking note of the innovations that are ingenius in our culture, from Gee’s Bend Quilts to Hip Hop. I aim to connect these ideas with my own practice to create images that tell a story.

  • Installation Views
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 5
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 1
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 2
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 3
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 7
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 6
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 8
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install 4
    Open a larger version of the following image in a popup: Te101 Marcuslesliesingleton Install Window
  • Q&A

    Your name

    Jake Chapman

    Your current location

    New York

    Your favorite pastime

    Walking

    Something you like

    Walking

    Something you dislike

    Traveling economy

    Your defining characteristic

    Stubborn

    What would someone close to you say your defining characteristic is

    Just terrific fun

    Your favorite artist

    James Ensor

    Favorite word or phrase

    -

    What aspect of your work is most important to you

    That it’s relentlessly ambivalent to the pain it takes to make it

    Who do you admire the most and why

    Jean Genet, for re-writing The Thief’s Journal on prison toilet paper after the first version was confiscated and destroyed

    Your worst habit

    Mockery, laughter, irreverence

    The first thing you think of in the morning

    The last dream I had and how absurd it was

    What have you always wanted to do and have not done

    Sounds like something I’ve neglected to do, and haven't done, like tidy my bedroom…

    Your best decision

    My best and worst decision cancelled each other out so now I’m left with a decisive void... 

    Your worst decision

     -

    Your favorite street

    Fashion Street in Spitalifields, London, because when I lived there it was a very fashionable part of town, and Gilbert and George lived in the next street, and I used to say hello to them every day

    What made you become the person you are

    A constant of variables and colliding events… and mummy and daddy Chapman

    Something that you treasure

    A volcanic rock from the DRC

    What would the child you once were think of the adult you have become

    The child I once was would be bewildered by the fact that a grown man could make a living by playing around and acting like a child

    Your greatest fear

    I’m too unimaginative to have a greatest fear—I have many petty fears, although I’ve agreed to row across the Atlantic in December, so that might all change…

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9055 Santa Monica Blvd  West Hollywood  CA 90069

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